Dilbert is an animated television series adaptation of the comic strip of the same name, produced by Adelaide Productions, Idbox, and United Media and distributed by Columbia TriStar Television. The first episode was broadcast on January 25, 1999, and was UPN's highest-rated comedy series premiere at that point in the network's history; it lasted two seasons on UPN and won a Primetime Emmy before its cancellation.
The series follows the adventures of a middle-aged white collar office worker, named Dilbert, who is extremely intelligent in regards to all things that fall within the boundaries of electrical engineering. Although Dilbert’s intelligence greatly surpasses that of his incompetent colleagues at work, he is unable to question certain processes that he believes to be inefficient, due to his lack of power within the organization. Thus, he is consistently found to be unsatisfied with the decisions that are made in his workplace, because of the fact that many times he has many suggestions to improve the decision, yet is incapable of expressing them. Consequently, he is often found to show a pessimistic and frustrated attitude, which ultimately lands him in various comedic situations that revolve around concepts like leadership, teamwork, communication and corporate culture.
Charity is an experimental purely functional programming language, developed at the University of Calgary under the supervision of Robin Cockett. Based on ideas by Hagino Tatsuya, it is completely grounded in category theory.
Disregarding interactions with the outside world, all Charity programs are guaranteed to terminate or stay productive.
The language allows ordinary recursive data types, such as might be found in ML, which are required to be finite, and corecursive data types, which are allowed to be potentially infinite. The control structure for operating on recursive data types is primitive recursion or paramorphism, and the control structure for corecursive data types is primitive co-recursion or apomorphism. Neither control structure can operate over the other kind of data, so all paramorphisms terminate and all apomorphisms are productive.
Malcolm in the Middle is a Fox sitcom that ran for seven seasons from January 9, 2000 to May 14, 2006 with 151 episodes produced.
Software is a 1982 cyberpunk science fiction novel written by Rudy Rucker. It won the first Philip K. Dick Award in 1983. The novel is the first book in Rucker's Ware Tetralogy, and was followed by a sequel, Wetware, in 1988.
Software introduces Cobb Anderson as a retired computer scientist who was once tried for treason for figuring out how to give robots artificial intelligence and free will, creating the race of boppers. By 2020, they have created a complex society on the Moon, where the boppers developed because they depend on super-cooled superconducting circuits. In that year, Anderson is a pheezer — a freaky geezer, Rucker's depiction of elderly Baby Boomers — living in poverty in Florida and terrified because he lacks the money to buy a new artificial heart to replace his failing, secondhand one.
As the story begins, Anderson is approached by a robot duplicate of himself who invites him to the Moon to be given immortality. Meanwhile, the series' other main character, Sta-Hi Mooney the 1st — born Stanley Hilary Mooney Jr. — a 25-year-old cab driver and "brainsurfer", is kidnapped by a gang of serial killers known as the Little Kidders who almost eat his brain. When Anderson and Mooney travel to the Moon together at the boppers' expense, they find that these events are closely related: the "immortality" given to Anderson turns out to be having his mind transferred into software via the same brain-destroying technique used by the Little Kidders.
Software is Grace Slick's 1984 album released by RCA Records. This album was recorded after she had re-joined Jefferson Starship. After working on this album, Peter Wolf would go on to contribute to Jefferson Starship's 1984 album, Nuclear Furniture. A music video was made for the single "All the Machines". "Software" is Grace Slick's fourth and final solo album.
Software has been described as Slick's attempt to assimilate with the techno-pop artists of the period. Guitar use is largely replaced by synthesizers and electric drums. Slick's trademark wailing vocals and improvising is replaced by more short short, precise bursts. The album failed to chart.
All lyrics by Grace Slick / music by Peter Wolf except where noted
Software usually refers to instructions for computer hardware to execute.
Software may also refer to: